"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Fleda was infinitely shaken; she was silent a little. "Yes, I understand. Did she go to you to complain of me?"!

In knowing a while before all she needed, Fleda had been far from knowing as much as that; so that once upstairs, where, in her room, with her sense of danger and trouble, the age of Louis Seize suddenly struck her as wanting in taste and point, she felt that she now for the first time knew her temptation. Owen had put it before her with an art beyond his own dream. Mona would cast him off if he didn't proceed to extremities; if his negotiation with his mother should fail he would be completely free. That negotiation depended on a young lady to whom he had pressingly suggested the condition of his freedom; and as if to aggravate the young lady's predicament designing fate had sent Mrs. Gereth, as the parlor-maid said, "up the back road." This would give the young lady more time to make up her mind that nothing should come of the negotiation. There would be different ways of putting the question to Mrs. Gereth, and Fleda might profitably devote the moments before her return to a selection of the way that would most surely be tantamount to failure. This selection indeed required no great adroitness; it was so conspicuous that failure would be the reward of an effective introduction of Mona. If that abhorred name should be properly invoked Mrs. Gereth would resist to the death, and before envenomed resistance Owen would certainly retire. His retirement would be into single life, and Fleda reflected that he had now gone away conscious of having practically told her so. She could only say, as she waited for the back road to disgorge, that she hoped it was a consciousness he enjoyed. There was something she enjoyed; but that was a very different matter. To know that she had become to him an object of desire gave her wings that she felt herself flutter in the air: it was like the rush of a flood into her own accumulations. These stored depths had been fathomless and still, but now, for half an hour, in the empty house, they spread till they overflowed. He seemed to have made it right for her to confess to herself her secret. Strange then there should be for him in return nothing that such a confession could make right! How could it make right that he should give up Mona for another woman? His attitude was a sorry appeal to Fleda to legitimate that. But he didn't believe it himself, and he had none of the courage of his suggestion. She could easily see how wrong everything must be when a man so made to be manly was wanting in courage. She had upset him, as people called it, and he had spoken out from the force of the jar of finding her there. He had upset her too, heaven knew, but she was one of those who could pick themselves up. She had the real advantage, she considered, of having kept him from seeing that she had been overthrown. "She came to see what she could do. She had been tremendously upset, the day before, by what had taken place at your father's, and she had posted down to Ricks on the inspiration of the moment. She hadn't meant it on leaving home; it was the sight of you closeted there with Owen that had suddenly determined her. The whole story, she said, was written in your two faces: she spoke as if she had never seen such an exhibition. Owen was on the brink, but there might still be time to save him, and it was with this idea she had bearded me in my den. 'What won't a mother do, you know?'—that was one of the things she said. What wouldn't a mother do indeed? I thought I had sufficiently shown her what! She tried to break me down by an appeal to my good nature, as she called it, and from the moment she opened on you, from the moment she denounced Owen's falsity, I was as good-natured as she could wish. I understood that it was a plea for mere mercy, that you and he between you were killing her child. Of course I was delighted that Mona should be killed, but I was studiously kind to Mrs. Brigstock. At the same time I was honest, I didn't pretend to anything I couldn't feel. I asked her why the marriage hadn't taken place months ago, when Owen was perfectly ready; and I showed her how completely that fatuous mistake on Mona's part cleared his responsibility. It was she who had killed him—it was she who had destroyed his affection, his illusions. Did she want him now when he was estranged, when he was disgusted, when he had a sore grievance? She reminded me that Mona had a sore grievance too, but she admitted that she hadn't come to me to speak of that. What she had come to me for was not to get the old things back, but simply to get Owen. What she wanted was that I would, in simple pity, see fair play. Owen had been awfully bedeviled—she didn't call it that, she called it 'misled'—but it was simply you who had bedeviled him. He would be all right still if I would see that you were out of the way. She asked me point-blank if it was possible I could want him to marry you."

"Why must I?" Fleda asked after a moment. "So as not to aggravate Mona, naturally. We've had a narrow course to steer, but thank God we're at last in the open!" "I know what Mrs. Brigstock herself told me."